Oscar-Nominated Cinematographers on Using Classic Techniques and Old Tech for a Modern Feel

It’s ironic that a quarter of the way into the 21st century, when studios have seemingly accepted home streaming as their primary means of movie distribution, DP Lol Crawley has earned an Oscar nomination for “The Brutalist,” shot on VistaVision, a widescreen film process developed by Paramount Pictures in 1954 to help lure viewers away […]